
habu textiles
Originally uploaded by bluepupae. my feelings about this blog are mixed, and my direction, like everything else in my life, is unclear. (of course, that's not really saying a whole lot.) on the one hand, i feel the need to share my thoughts with whoever comes along and might care or get something from. on the other hand, do i really need to be opening my head up for scrutiny by anyone but a mental health professional and my poor boyfriend?
i began by documenting my work partly to motivate myself and partly to put down some thoughts. as if the internet were not enough distraction, now i feel the need to keep this updated. if i am doing this, there is a part of me that hopes someone is reading it. it's like art making. sure, artists want to have the freedom to do whatever the hell they want, but at the end of the day, we need someone to see it. we may make work in isolation, but to be complete, it's got to come around and be experienced.
moving on from neurotic rambling...i also received some mixed feedback about my portfolio. the person from the sculpture dept at sf art institute could see the progression of my work into sculpture, but thought i needed to frame my artist statement and portfolio in such a way that it takes into account the kinds of concerns that people working in sculpture have. i guess that means thinking/talking about the formal and material aspects of art making. he thought my presentation looked clean, which is good.
the person from the school of the art institute of chicago had a number of comments, including that perhaps i should reshoot or video my work to show more of the experience. he seemed to think that i had a lot to say in my artist statement that didn't come through in the work in the portfolio. not sure if that has to do with the execution or the presentation of the portfolio.
i'm glad i had the opportunity to get some feedback from people who could potentially be looking at my work during the admissions process, but it did feel a bit rushed, since i had about 15 mins, and then the aftermath to decipher what was said. i've made progress since a year ago, when said portfolio did not even exist. half of it remains as convincing renderings and boxes of leds. and once again, i'm faced with the need to really focus, and fight my many interests and distractions. where do i want my work to go? i have to decide and spend a good amount of time going there, and not off into a zillion other ideas. it's a difficult decision as there are too many good choices.
another thing that i need to do and that mike has pressed upon me is to cut back on extracurricular activities such as knitting & sewing. i stopped with the jewelry & woodworking. unless i can bring those things into the artmaking, i have to do less of it, in order to have more time for art.
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what a change--coming back from san francisco and fall weather to an arid and global warming climate. our black moor, moraes, died yesterday. that's what i get for anthropomorphising him with a character from one of my favorite books. he's been sick, and we've done everything we could. he was a fighter, but i guess that was not enough. poor guy.
rather than ending on a death note, there's this...after over a month of anxiously waiting, i finally get a call from wild fibers that my habu sweater kit #74 came in. yay! meanwhile, i've been adding a gazillion projects to my queue on ravelry that i may never have time to knit now that i'm cutting back on extracurriculars. a girl can dream...that's all i have, for now.